Yunus Emre Enstitüsü - London

İznik Ceramic Brooch | Floral or Geometric Design | Nagihan Seymour
2026-05-16 12:00 - 14:00 UTC | Yunus Emre Enstitüsü – London, 10 Maple Street, London, W1T 5HA, United Kingdom
İznik Ceramic Brooch | Floral or Geometric Design | Nagihan Seymour
In this hands-on workshop, participants will explore traditional İznik (Çini) painting techniques by decorating a 5-cm square ceramic bisque with classic floral or geometric motifs. Led by Nagihan Seymour, the session introduces participants to the visual language of İznik design through a focused and accessible format. Inspired by Ottoman-era motifs such as tulips, carnations, and stylised blossoms, each piece will be transformed into a wearable brooch after glazing and firing.
Date: Saturday, 16 May 2026Time: 12–2 PMVenue: Yunus Emre Institute, 10 Maple Street, London W1T 5HAFee (all materials provided): £50Capacity: Max. 15 participantsInstructor: Nagihan Seymour
Age requirement: This workshop has age restrictions (16+). Please check individual event details before booking.
Suitable For
No prior ceramic experience needed.
Materials
All materials provided.
Learning Objectives
Participants will:

Learn the history and visual language of İznik patterns
Practice brush control using traditional linework techniques
Understand colour application using İznik underglaze (çini) paints
Create a finished ceramic design ready for glazing and firing

After the Workshop

Pieces are glazed with a clear finish
Fired in kiln (approx. 1000–1050°C depending on materials)
Brooch pins added
Collection in approximately 2–3 weeks

About the Instructor
Nagihan Seymour is a UK-based Turkish artist. Although trained as a materials engineer, she has been deeply engaged with art since her university years. She began studying traditional arts privately in Istanbul in 2008 under Hanifi Dursun, learning both the techniques and the discipline of the tradition.
Manuscript illumination became the central focus of her practice, and over time she developed a distinctive style that combines sacred geometry with classical illumination, bringing a contemporary interpretation to an ancient art form. Her first solo exhibition, Reflection and Illumination, was held at The Lightbox Gallery in Woking in March 2017 and became one of the gallery’s bestselling exhibitions.
Website: www.nagihanseymour.comInstagram: @nagihanseymour
Workshop Policies and Guidelines

The workshop is primarily taught in English, but some terminology may be in Turkish. Your instructor will clarify any terms or concepts as needed during the class.
For your safety and comfort, we recommend avoiding wearing loose clothing, especially items with large cuffs and neckties, during classes.
While the Institute strives to maintain a safe learning environment, students are reminded that they are solely responsible for the security of their personal belongings. The Institute assumes no liability for any loss or damage to personal items incurred during course activities.
The Institute endeavors to maintain a conducive learning environment by ensuring that courses meet a minimum enrollment. If this requirement is not met by the end of the registration period, the Institute reserves the right to cancel the course/ workshop one day prior to its scheduled start. In such cases, any course fees paid by enrolled students will be promptly refunded in full. Refunds will be processed to the student’s designated bank account, unless the course was purchased online, in which case refunds will be issued via PayPal.
Applicants can withdraw their application without incurring any charges up until the commencement date of the workshop. No refunds will be issued for withdrawals made after the day of the workshop.
Photography and videos may be taken during classes for archival and promotional purposes. Your participation in the class implies consent for us to use these materials. If you prefer not to be photographed or filmed, please inform your instructor.
Your feedback is valuable to us. If you have any suggestions or concerns regarding the class structure or content, please feel free to discuss them with your instructor, the administrative staff or the coordinator at londra@yee.org.tr

By enrolling in the course, students acknowledge their understanding and acceptance of the aforementioned terms and conditions.

Ottoman Tile Painting on Paper | Rumi & Şemse from Yeni Cami | Nagihan Seymour
2026-05-16 15:00 - 18:00 | Yunus Emre Enstitüsü – London, 10 Maple Street, London, W1T 5HA, United Kingdom
Ottoman Tile Painting on Paper | Rumi & Şemse from Yeni Cami | Nagihan Seymour
Step into the world of Ottoman design and discover the elegance of traditional pattern-making inspired by the iconic tiles of Istanbul Yeni Cami.Led by Nagihan Seymour, this 3-hour immersive workshop explores the flowing beauty of Rumi motifs and the balanced geometry of Şemse compositions, revealing how these timeless elements come together in one harmonious design.
Date: Saturday, 16 May 2026Time: 3–6 PMVenue: Yunus Emre Institute, 10 Maple Street, London W1T 5HAFee (all materials provided): £50Capacity: Max. 15 participantsInstructor: Nagihan Seymour
Age requirement: This workshop has age restrictions (16+). Please check individual event details before booking.
Suitable For
All levels are welcome.
Materials
All materials provided.
Learning Objectives
Participants will:

Learn the fundamentals of Ottoman pattern structure
Practice essential Rumi forms and stylised motifs
Understand symmetry and repetition in Islamic art
Create and paint their own tile-inspired artwork on paper

After the Workshop
By the end of the session, participants will leave with a finished piece and a deeper appreciation for the rhythm, precision, and beauty of traditional arts.
About the Instructor
Nagihan Seymour is a UK-based Turkish artist. Although trained as a materials engineer, she has been deeply engaged with art since her university years. She began studying traditional arts privately in Istanbul in 2008 under Hanifi Dursun, learning both the techniques and the discipline of the tradition.
Manuscript illumination became the central focus of her practice, and over time she developed a distinctive style that combines sacred geometry with classical illumination, bringing a contemporary interpretation to an ancient art form. Her first solo exhibition, Reflection and Illumination, was held at The Lightbox Gallery in Woking in March 2017 and became one of the gallery’s bestselling exhibitions.
Website: www.nagihanseymour.comInstagram: @nagihanseymour
Workshop Policies and Guidelines

The workshop is primarily taught in English, but some terminology may be in Turkish. Your instructor will clarify any terms or concepts as needed during the class.
For your safety and comfort, we recommend avoiding wearing loose clothing, especially items with large cuffs and neckties, during classes.
While the Institute strives to maintain a safe learning environment, students are reminded that they are solely responsible for the security of their personal belongings. The Institute assumes no liability for any loss or damage to personal items incurred during course activities.
The Institute endeavors to maintain a conducive learning environment by ensuring that courses meet a minimum enrollment. If this requirement is not met by the end of the registration period, the Institute reserves the right to cancel the course/ workshop one day prior to its scheduled start. In such cases, any course fees paid by enrolled students will be promptly refunded in full. Refunds will be processed to the student’s designated bank account, unless the course was purchased online, in which case refunds will be issued via PayPal.
Applicants can withdraw their application without incurring any charges up until the commencement date of the workshop. No refunds will be issued for withdrawals made after the day of the workshop.
Photography and videos may be taken during classes for archival and promotional purposes. Your participation in the class implies consent for us to use these materials. If you prefer not to be photographed or filmed, please inform your instructor.
Your feedback is valuable to us. If you have any suggestions or concerns regarding the class structure or content, please feel free to discuss them with your instructor, the administrative staff or the coordinator at londra@yee.org.tr

By enrolling in the course, students acknowledge their understanding and acceptance of the aforementioned terms and conditions.

The Letter Waw | Ottoman Architectural Calligraphy | Gulnaz Mahboob
2026-05-17 11:00 - 14:00 | Yunus Emre Enstitüsü – London, 10 Maple Street, London, W1T 5HA, United Kingdom
The Letter Waw | Ottoman Architectural Calligraphy | Gulnaz Mahboob
This workshop introduces participants to the visual and symbolic significance of the letter waw in Ottoman calligraphy, drawing inspiration from the architectural forms of Bursa Ulu Cami. Led by Gulnaz Mahboob, the session explores how the waw motif appears in sacred space and ornamentation, before guiding participants towards developing their own calligraphic composition.
Through a structured and hands-on format, participants will be introduced to the architectural presence of the waw, observe a live demonstration using traditional tools and proportion systems, and then work step by step on their own mounted composition.
Date: Sunday, 17 May 2026Time: 11–2 PMVenue: Yunus Emre Institute, 10 Maple Street, London W1T 5HAFee (all materials provided): £50Capacity: Max. 12 participantsInstructor: Gulnaz Mahboob
Age requirement: This workshop has age restrictions (16+). Please check individual event details before booking.
Suitable For
Open to all levels.
Materials
All materials provided.
Learning Objectives
Participants will:

Explore the visual and symbolic significance of the letter waw in Ottoman calligraphy
Learn about the architectural inspiration of Bursa Ulu Cami and its ornamental language
Observe a live demonstration of writing with traditional tools and proportion systems
Develop their own calligraphic composition using qalam, ink, and prepared guidelines
Complete a mounted piece informed by Ottoman architectural aesthetics

After the Workshop
Participants will leave with a finished waw composition mounted on board.
About the Instructor
Gulnaz Mahboob is a Master Calligraphy (Hattat) and tutor from London, England. Gulnaz Mahboob was authorised and classically trained in Istanbul by the renowned Grand Master Hasan Çelebi.
She holds an MA in Social Anthropology from SOAS, University of London and a BA in Communication studies with Graphic Arts& Illustration from Anglia Ruskin University
Instagram: @gulnazmahboob
Workshop Policies and Guidelines

The workshop is primarily taught in English, but some terminology may be in Turkish. Your instructor will clarify any terms or concepts as needed during the class.
For your safety and comfort, we recommend avoiding wearing loose clothing, especially items with large cuffs and neckties, during classes.
While the Institute strives to maintain a safe learning environment, students are reminded that they are solely responsible for the security of their personal belongings. The Institute assumes no liability for any loss or damage to personal items incurred during course activities.
The Institute endeavors to maintain a conducive learning environment by ensuring that courses meet a minimum enrollment. If this requirement is not met by the end of the registration period, the Institute reserves the right to cancel the course/ workshop one day prior to its scheduled start. In such cases, any course fees paid by enrolled students will be promptly refunded in full. Refunds will be processed to the student’s designated bank account, unless the course was purchased online, in which case refunds will be issued via PayPal.
Applicants can withdraw their application without incurring any charges up until the commencement date of the workshop. No refunds will be issued for withdrawals made after the day of the workshop.
Photography and videos may be taken during classes for archival and promotional purposes. Your participation in the class implies consent for us to use these materials. If you prefer not to be photographed or filmed, please inform your instructor.
Your feedback is valuable to us. If you have any suggestions or concerns regarding the class structure or content, please feel free to discuss them with your instructor, the administrative staff or the coordinator at londra@yee.org.tr

By enrolling in the course, students acknowledge their understanding and acceptance of the aforementioned terms and conditions.

Stained Glass Taster Workshop | Traditional Geometric Patterns | Demet Tokbay
2026-05-17 11:00 - 14:00 | Yunus Emre Enstitüsü – London, 10 Maple Street, London, W1T 5HA, United Kingdom
Stained Glass Taster Workshop | Copper Foil / Tiffany Technique | Traditional Geometric Patterns | Demet Tokbay
Join us at London Craft Week for a hands-on stained glass taster workshop exploring the beauty of glass, colour, and pattern through a traditional decorative art form. Led by Demet Tokbay, this 3-hour session at Yunus Emre Institute offers an accessible introduction to stained glass through geometric patterns inspired by Turkish and Ottoman art.
Focusing on traditional geometric design, the workshop introduces participants to the visual language of stained glass in a clear and manageable format suitable for beginners. Participants will be guided step by step through the process, gaining insight into the materials, structure, and decorative qualities of the medium while creating their own small piece during the session.
Open to all levels, this workshop is ideal for those interested in traditional arts, ornament, material processes, and hands-on making.
Important Note: Participation is not recommended for anyone who is pregnant or suspects they may be pregnant, as a precautionary safety measure due to the lead content used in the workshop.
Date: Sunday, 17 May 2026Time: 11–2 PMVenue: Yunus Emre Institute, 10 Maple Street, London W1T 5HAFee (all materials provided): £50Capacity: Max. 6 participantsInstructor: Demet Tokbay
About the Instructor
A graduate of Ege University’s Ancient Artifact Conservation and Repair Department, began her career in 2000 with practice lessons in Bergama. She later studied Parsomen design and manufacturing, apprenticing with Ismail Arac, the last Karatabak and Parsomen Master of Anatolia. In 2014, Tokbay’s documentary Cirak, about her master, won the TRT Documentary Culture Award. After relocating to England in 2018, she founded Mavi Dukkan, a workshop and tannery, where she continues to produce and work on Parsomen in North Elmham.
Website: www.mavidukkan.co.uk
Instagram: Demet Tokbay
Age requirement: This workshop has age restrictions (16+). Please check individual event details before booking.
Materials
All materials provided.
Workshop Policies and Guidelines

The workshop is primarily taught in English, but some terminology may be in Turkish. Your instructor will clarify any terms or concepts as needed during the class.
For your safety and comfort, we recommend avoiding wearing loose clothing, especially items with large cuffs and neckties, during classes.
While the Institute strives to maintain a safe learning environment, students are reminded that they are solely responsible for the security of their personal belongings. The Institute assumes no liability for any loss or damage to personal items incurred during course activities.
The Institute endeavors to maintain a conducive learning environment by ensuring that courses meet a minimum enrollment. If this requirement is not met by the end of the registration period, the Institute reserves the right to cancel the course/ workshop one day prior to its scheduled start. In such cases, any course fees paid by enrolled students will be promptly refunded in full. Refunds will be processed to the student’s designated bank account, unless the course was purchased online, in which case refunds will be issued via PayPal.
Applicants can withdraw their application without incurring any charges up until the commencement date of the workshop. No refunds will be issued for withdrawals made after the day of the workshop.
Photography and videos may be taken during classes for archival and promotional purposes. Your participation in the class implies consent for us to use these materials. If you prefer not to be photographed or filmed, please inform your instructor.
Your feedback is valuable to us. If you have any suggestions or concerns regarding the class structure or content, please feel free to discuss them with your instructor, the administrative staff or the coordinator at londra@yee.org.tr

By enrolling in the course, students acknowledge their understanding and acceptance of the aforementioned terms and conditions.

İznik Ceramic Brooch | Floral or Geometric Design | Nagihan Seymour
2026-05-17 15:00 - 17:00 | Yunus Emre Enstitüsü – London, 10 Maple Street, London, W1T 5HA, United Kingdom
İznik Ceramic Brooch | Floral or Geometric Design | Nagihan Seymour
In this hands-on workshop, participants will explore traditional İznik (Çini) painting techniques by decorating a 5-cm square ceramic bisque with classic floral or geometric motifs. Led by Nagihan Seymour, the session introduces participants to the visual language of İznik design through a focused and accessible format. Inspired by Ottoman-era motifs such as tulips, carnations, and stylised blossoms, each piece will be transformed into a wearable brooch after glazing and firing.
Date: Sunday, 17 May 2026Time: 3–5 PMVenue: Yunus Emre Institute, 10 Maple Street, London W1T 5HAFee (all materials provided): £50Capacity: Max. 15 participantsInstructor: Nagihan Seymour
Age requirement: This workshop has age restrictions (16+). Please check individual event details before booking.
Suitable For
No prior ceramic experience needed.
Materials
All materials provided.
Learning Objectives
Participants will:

Learn the history and visual language of İznik patterns
Practice brush control using traditional linework techniques
Understand colour application using İznik underglaze (çini) paints
Create a finished ceramic design ready for glazing and firing

After the Workshop

Pieces are glazed with a clear finish
Fired in kiln (approx. 1000–1050°C depending on materials)
Brooch pins added
Collection in approximately 2–3 weeks

About the Instructor
Nagihan Seymour is a UK-based Turkish artist. Although trained as a materials engineer, she has been deeply engaged with art since her university years. She began studying traditional arts privately in Istanbul in 2008 under Hanifi Dursun, learning both the techniques and the discipline of the tradition.
Manuscript illumination became the central focus of her practice, and over time she developed a distinctive style that combines sacred geometry with classical illumination, bringing a contemporary interpretation to an ancient art form. Her first solo exhibition, Reflection and Illumination, was held at The Lightbox Gallery in Woking in March 2017 and became one of the gallery’s bestselling exhibitions.
Website: www.nagihanseymour.comInstagram: @nagihanseymour
Workshop Policies and Guidelines

The workshop is primarily taught in English, but some terminology may be in Turkish. Your instructor will clarify any terms or concepts as needed during the class.
For your safety and comfort, we recommend avoiding wearing loose clothing, especially items with large cuffs and neckties, during classes.
While the Institute strives to maintain a safe learning environment, students are reminded that they are solely responsible for the security of their personal belongings. The Institute assumes no liability for any loss or damage to personal items incurred during course activities.
The Institute endeavors to maintain a conducive learning environment by ensuring that courses meet a minimum enrollment. If this requirement is not met by the end of the registration period, the Institute reserves the right to cancel the course/ workshop one day prior to its scheduled start. In such cases, any course fees paid by enrolled students will be promptly refunded in full. Refunds will be processed to the student’s designated bank account, unless the course was purchased online, in which case refunds will be issued via PayPal.
Applicants can withdraw their application without incurring any charges up until the commencement date of the workshop. No refunds will be issued for withdrawals made after the day of the workshop.
Photography and videos may be taken during classes for archival and promotional purposes. Your participation in the class implies consent for us to use these materials. If you prefer not to be photographed or filmed, please inform your instructor.
Your feedback is valuable to us. If you have any suggestions or concerns regarding the class structure or content, please feel free to discuss them with your instructor, the administrative staff or the coordinator at londra@yee.org.tr

By enrolling in the course, students acknowledge their understanding and acceptance of the aforementioned terms and conditions.

Crafting Authentic Turkish Coffee | A Hands-On Cultural Workshop
2026-05-23 14:00 - 16:00
☕ Crafting Authentic Turkish Coffee

A Hands-On Cultural Workshop
This special edition is part of Turkish Cuisine Week, celebrated annually between 21–27 May through a variety of events across Türkiye and around the world
Join us for an intimate and immersive workshop led by Ayşe Kapusuz, where you’ll discover the rich cultural heritage of Turkish coffe recognized by UNESCO as Intangible Cultural Heritage of Humanity. Through taste, storytelling, and hands-on practice, this experience will transport you to the heart of Anatolia.
🌿 What to expect:
– Learn to brew authentic Turkish coffee in a traditional cezve
– Taste and compare different styles of Turkish coffee
– Discover the rituals, history, and cultural meaning behind each cup
– Enjoy Turkish delights paired with your coffee
– Prepare your own coffee with expert guidance
✨ A warm, sensory experience for coffee lovers and curious minds alike.
📅 Friday, 23 May 2026
⏰ 2–4 pm
📍 10 Maple Street, W1T 5HA (Warren Street / Goodge Street)
💷 £45 (all materials included)
👥 Limited to 10 participants
🔞 16+ | No experience needed
🎟️ Limited spots available — book early to secure your place.
A cup of coffee, a story to share, a tradition to take home.

Important Note:
Please take extra care while cooking Turkish coffee, as the pot and coffee will be hot; always handle the cezve by the handle and keep your hands and clothing away from the stove to avoid burns.
Turkish coffee and accompanying treats may contain allergens, including nuts, dairy, and sugar. Participants are responsible for managing their own dietary needs and should exercise discretion when consuming any items provided. We cannot guarantee an allergen-free environment.
Please also note that photos or short videos may be taken during the workshop for promotional and archival purposes. Let us know at the start of the session if you prefer not to be included.
By enrolling in the workshop, students acknowledge their understanding and acceptance of the aforementioned terms and conditions.
Suggestions and concerns are always welcome – speak to your instructor or email us at londra@yee.org.tr.

From Steppe Warriors to Women Ghazis | Hüsamettin Şimşir: Talk
2026-05-28 18:30 - 21:00 | Yunus Emre Enstitüsü – London, 10 Maple Street, London, W1T 5HA, United Kingdom
As part of the Arts and Culture Lecture Series, Yunus Emre Institute in London presents an evening with historian and scholar Hüsamettin Şimşir, whose work has long engaged with Istanbul not simply as a setting, but as a site where history, imagination, and narrative consciousness intersect.
In his talk, Hüsamettin Şimşir examines the evolving roles of women in warfare across nomadic societies from Antiquity to the late medieval period, with a particular focus on the Eurasian steppe and Anatolian frontier regions. Drawing on archaeological evidence, classical sources, and medieval texts, it challenges the assumption that warfare was an exclusively male domain in premodern societies. Findings such as weapon-bearing female burials and skeletal evidence of habitual horseback riding suggest that women in early steppe cultures possessed and, at times, exercised martial skills.
The study traces a long-term transformation in women’s participation in warfare. While women in ancient nomadic societies could engage more directly in mounted combat, by the medieval period their roles increasingly shifted toward logistical support, camp management, and, in some cases, political or military leadership. However, this shift did not represent a complete disappearance of women from martial life. Instead, it reflects a reconfiguration shaped by the emergence of centralized states, institutionalized armies, and new religious and social frameworks.
Focusing on late medieval Anatolia, the talk highlights evidence from sources such as Gazilik Tarikası and contemporary chronicles, which reveal that women could still participate in warfare as part of a broader communal obligation. In certain frontier contexts, women were not only involved in support roles but could also engage in combat, diplomacy, and the negotiation of peace. These findings suggest that steppe traditions of gender flexibility persisted and were adapted within the socio-political realities of the Anatolian frontier, offering a more nuanced understanding of women’s place in premodern military history.

For more information on the event, please visit Yunus Emre Enstitüsü – London’s Website: https://yeelondon.org.uk/ or email us at londra@yee.org.tr

IMPORTANT NOTES: As this is a free event, we often experience a number of no-shows. To make sure seats don’t go empty, we may issue a limited number of additional tickets. Admission is therefore subject to venue capacity and operates on a first-come, first-served basis. Please note that registration or an e-ticket does not guarantee a seat, and standing admission may be possible.
Photography and filming will take place during the event for archiving, marketing, and promotional purposes. By attending, you consent to Yunus Emre Institute using such images and footage in related publications, digital platforms, and promotional materials.
Thank you for your understanding.

Eid on the Square 2026
2026-05-30 12:00 - 18:00
Join us at Trafalgar Square on Saturday, 30th May 2026 for Eid on the Square 2026 – a vibrant celebration of culture, community, and creativity at the heart of London.
As part of this much-loved annual festival, Yunus Emre Enstitüsü– London will once again take part with a lively cultural stall showcasing the richness of Turkish arts and heritage. Visitors will have the opportunity to explore traditional crafts such as tezhip (illumination), calligraphy, and Iznik ceramics, while engaging with artists and learning about the stories behind these time-honoured practices.
Our stall invites guests of all ages to experience the warmth of Turkish hospitality and the diversity of Anatolian cultural expressions. Whether you’re trying your hand at a traditional art form or simply enjoying the festive atmosphere, our space offers a moment of creativity, connection, and discovery.
This is more than just a cultural exhibition – it’s a day of learning, sharing, and celebrating the spirit of togetherness. Come along with family and friends and enjoy a joyful Eid filled with colour, tradition, and community.

Great Exhibition Road Festival
2026-06-06 - 2026-06-07
Yunus Emre Enstitüsü – London is excited to announce our participation in the Great Exhibition Road Festival 2026 on Saturday 6th June – Sunday 7th June! Look out for our stall exploring the art of Paper Marbling (Ebru) and its relationship with fluid dynamics.

Date: Saturday 6th June – Sunday 7th June 2026
Time: 12.00pm – 6.00pm
Location: South Kensington

The Great Exhibition Road Festival is an arts and sciences festival launched in 2019, bringing together iconic museums and cultural organisations — including Imperial College London, the Royal Albert Hall, the Science Museum, the V&A, and the Natural History Museum. The 2025 edition welcomed 55,000 visitors over two days of creative workshops, talks, performances, and installations. For 2026, the Festival aims to attract 60,000 visitors.
Ebru is the Turkish art of paper marbling — a method of aqueous surface design created by scattering insoluble pigments onto thickened water before transferring the patterns onto paper. While guided by technique and experience, each composition emerges through the interaction between pigment, water, and movement, making every print entirely unique.
Register Here!

The Art of Şelpe: A Bağlama Fingerstyle Workshop
2026-06-09 18:30 - 20:30
An exclusive workshop will be held face-to-face with Ahmet Ozan Baysal at the Institute.

Workshop: Bağlama Şelpe Session For All Levels

Date: Tuesday, 9th June 2026
Time: 6:30 – 8:30 pm (UK time)
Duration: 2 hours
Fee: £30
Class Size: Min. 5 – Max. 15 Students
Instructor: Ahmet Ozan Baysal
Location: 10 Maple Street W1T 5HA (Nearest tube stations: Warren Street and Goodge Street)

Workshop Overview
Şelpe is one of the most distinctive and deeply rooted playing techniques of the bağlama tradition in Anatolia. Played directly with the fingers rather than with a plectrum, it can transform the instrument’s sound world so radically that it may at times evoke the impression of an entirely different instrument. In this sense, şelpe not only reshapes the sonic character of the bağlama, but also expands its expressive and musical horizons through rhythm, polyphony, resonance, touch, and subtle ornamentation.
This two-hour event is structured in two parts: the first hour will offer an open introductory workshop for curious listeners, beginners, and anyone interested in discovering the bağlama and the musical world of şelpe through cultural context, live demonstration, and simple practical exercises; the second hour will be a more focused practical session for intermediate and advanced bağlama players, concentrating on technical development, interpretation, and selected musical material from the repertoire.
The workshop will be led by Dr Ahmet Ozan Baysal, a London-based bağlama player, composer, performer, and PhD scholar whose artistic and academic work has developed a distinctive focus on şelpe and its contemporary possibilities. Alongside his performance career, he has undertaken extensive research on the technique and its musical language, bringing together scholarly depth with a refined and highly personal approach to the instrument. Known for his work with the double-necked bağlama, and for his recent solo album “Tel ve Ten” (ARC Music 2025), he highlights the expressive, polyphonic, and transformative potential of the bağlama within both traditional and contemporary contexts.
The session lasts 2 hours and offers a unique opportunity to engage with Turkish musical heritage in a vibrant, communal setting.
Entry Requirements

Participants must be 16 years or older.
Bringing your own Bağlama (Saz) is highly recommended.
If you play a different instrument and would like to join the Meşk session as part of the ensemble, you are also welcome to participate.

Disclaimer

The workshop will be delivered in English; however, some Turkish musical terminology may be used.
Please note that photography and filming may take place throughout the event for promotional and archival purposes. By registering, attendees consent to the use of their image and likeness in such materials.

Cancellation Policy

Full refunds will be issued for cancellations made at least 15 days before the scheduled session.
Cancellations made less than 15 days in advance are non-refundable.
If the session is cancelled by the organiser, all participants will receive a full refund.

Register Here!
For any questions, please contact us at londra@yee.org.tr

Echoing Travelogues: The Beyond and Us | Concert
2026-06-12 19:00 - 20:30 | The Tabernacle, 34–35 Powis Square Notting Hill, London, W11 2AY, United Kingdom
Dareyn Ensemble & Holland Baroque in Concert
Click for the Brochure
Click for the Persian Translation Flyer
Echoing Travelogues: The Beyond and Us, led by artistic director and lead artist Emine Bostancı, is an immersive performance shaped by a curatorial vision that brings together music, history, and storytelling into a unified dramaturgical journey. Under her leadership, an international ensemble bridges Ottoman, Persian, and European traditions within a single interdisciplinary work.
Featuring Emine Bostancı (Istanbul kemenche), the ensemble includes Zeynep Yıldız Abbasoğlu (kanun), Judith Steenbrink (baroque violin), Tineke Steenbrink (positive organ), and Vinsent Planjer (percussion), with narration by Nora Fischer. Together, they span Ottoman court music, Mevlevi ritual traditions, Persian classical music, and European Baroque repertoire.
The programme invites audiences on a journey across centuries and cultures; from Istanbul to Vienna, and from Persia to Europe. Inspired by the travel diaries of diplomats and explorers (15th–18th centuries), it brings to life the sounds and encounters that shaped cultural exchange across continents.
The work draws on historical travel diaries, including figures such as Levinus Warner, exploring how cultures define themselves through encounters with “the other”. It highlights identity as something shaped through exchange and perception, rather than fixed boundaries.
The performance features music from Ottoman, Persian, and early European traditions, performed on historical instruments. Iconic spaces such as Hagia Sophia, Topkapı Palace, Mevlevi lodges, and St. Stephen’s Cathedral are reimagined through 4D sound design, creating an immersive spatial experience.
The production is supported by an international creative team, including Head of Research Dr. Zeynep Yıldız Abbasoğlu, sound designer Dr. Hasan Baran Fırat, and video designer Ataman Girişken, and is developed in collaboration with Holland Baroque and 4DSound. Produced by Muziekgebouw Productiehuis and Dareyn Foundation, the work combines historical research, spatial audio practices, and contemporary performance technologies to create a richly layered artistic experience.
Organised by Yunus Emre Institute in London, the project positions London as a meeting point for historical reflection, artistic dialogue, and intercultural exchange.
More than a concert, Echoing Travelogues: The Beyond and Us is a sensory exploration of memory, identity, and cultural imagination.
Event Details
Date: Friday, 12 June 2026
Venue: The Tabernacle, 34–35 Powis Square, London W11 2AY, London
Time: 7:00 PM (doors open at 6:00 PM)
Click for the Brochure
Click for the Persian Translation Flyer
Join us for an evocative evening of music and storytelling.

Piano Recital: Sweet Waters of Asia with Rüya Taner
2026-06-13 19:00 - 20:00 | St James Piccadily
A journey from Türkiye to the Silk Road, heading toward the depths of Asia.

Sweet Waters of Asia (Asya’nın Tatlı Suları) is a concert project by internationally acclaimed pianist Rüya Taner, inspired by the historic cultural routes of the Silk Road. The performance will take place on Saturday, 13 June 2026 at 7:00 pm at St. James’s Piccadilly, London.
Conceived as a musical journey across cultures, the programme explores a sonic landscape stretching from Russia and Türkiye to the Caucasus and Central Asia. It brings together works by leading composers of the Romantic tradition, including Mikhail Glinka, Alexander Borodin, and Sergei Lyapunov, whose music reflects the 19th-century fascination with Eastern themes and tonal colours.
Alongside these are compositions by internationally recognised contemporary composers such as Fazıl Say, Kamran İnce, and Aziza Mustafazadeh, whose works bridge classical traditions with modern expression and regional influences.
The programme also highlights the rich musical heritage of Azerbaijan and Central Asia through works by Vasif Adigözalov and Rovshen Nepesov, complemented by Rüya Taner’s own piano arrangements of traditional Turkish melodies, bringing historical musical traditions into dialogue with the modern concert stage.
Following the success of her internationally presented project Sweet Waters of Europe, Rüya Taner continues her artistic exploration eastward, offering a programme that celebrates the diverse musical voices of Asia and the cultural connections that unite them.
The concert forms part of the Sweet Waters of Asia project, with Bromcom as principal sponsor, and with Yunus Emre Institute as a key cultural partner, alongside Tower Garments London and the Turkish Women’s Philanthropic Association. It is presented under the auspices of the Embassy of the Republic of Türkiye in London, in cooperation with the TRNC London Representative Office.

Additional Information:

Please arrive by 6:30 PM to allow sufficient time for seating. To ensure an uninterrupted experience for both performers and audience, late entry will not be permitted after 7:10 PM.
The event lasts approximately 60 – 65 minutes with no intermission.
St. James’ Piccadilly is easily accessible by public transport; please check local routes and parking options.
Smart casual attire is recommended.
As seating is unreserved, we suggest arriving early.
Guests are welcome to take photos during the concert; however, we kindly ask that no flash is used and that photography remains discreet so as not to disturb the performers or audience. Please remain seated while taking photos and avoid moving around the venue during the performance.
If you share your images on social media, we would be delighted if you could tag us @yeelondra.

Professional photography and videography will be carried out exclusively by authorised personnel appointed by the organiser. Please be advised that recording and photography will take place during the event for archival, marketing, and promotional purposes. By attending this event, you consent to the Yunus Emre Institute capturing and using images and footage for these purposes.
The concert is recommended for ages 16 and above due to its immersive and contemplative format. Children aged 7 and above may attend if accompanied by an adult and provided they are able to remain seated and quiet throughout the performance. As the event runs without an interval and requires a focused listening environment, parents are kindly asked to ensure that young attendees do not disturb performers or audience members. In the event of disruption, we reserve the right to request that the accompanying adult and child step outside the hall.
📩 Questions? Email: londra@yee.org.tr

Talk | Identity, Belonging, and Migrant Meaning-Making by Semanur Darbaz
2026-06-22 18:30 - 20:30
Young Scholar Seminar Series #41
Identity, Belonging, and Migrant Meaning-Making in Turkish Museums with Semanur Darbaz (Nottingham Trent University)
Yunus Emre Enstitüsü – London is pleased to host the 41st session of its Young Scholar Seminar Series, featuring Semanur Darbaz, researcher and museum practitioner at Nottingham Trent University
This talk looks at how museums in Turkey represent migration, cultural diversity and belonging, and how visitors with migrant backgrounds interpret these narratives. The research examines whether museums can function as spaces of social cohesion and belonging, while also critically questioning the Western epistemological assumptions that shape understandings of museums as a universal modern institution tied to nation-building, and social progress.
By situating Turkish museums within local histories of identity formation and cultural politics, the project offers a decolonial and context-sensitive contribution to critical museum studies. Combining walking interviews at museum visits, group discussions, and creative participatory methods, the research highlights both the possibilities and the limits of museums as spaces where identity, belonging, and alternative social imaginaries can be negotiated.
📅 Date: Monday, 22 June 2026
🕡 Time: 6:30 PM
📍 Location: Yunus Emre Enstitüsü – London, 10 Maple Street, Fitzrovia, W1T 5HA
🗣️ Language: English
🎟️ Admission: Free (registration required)

This talk forms part of the Young Scholar Seminar Series organised by Yunus Emre Enstitüsü – London since 2017.
For more information on the event, please visit Yunus Emre Enstitüsü – London’s Website: https://yeelondon.org.uk/ or email us at londra@yee.org.tr
IMPORTANT NOTES: As this is a free event, we often experience a number of no-shows. To make sure seats don’t go empty, we may issue a limited number of additional tickets. Admission is therefore subject to venue capacity and operates on a first-come, first-served basis. Please note that registration or an e-ticket does not guarantee a seat, and standing admission may be possible.
Photography and filming will take place during the event for archiving, marketing, and promotional purposes. By attending, you consent to Yunus Emre Institute using such images and footage in related publications, digital platforms, and promotional materials.
Thank you for your understanding.

Music Across Borders Session 5: The Caucasus
2026-06-26 18:00 - 20:00 | Yunus Emre Enstitüsü – London, 10 Maple Street, London, W1T 5HA, United Kingdom
Join the fifth session of Music Across Borders, a Listening Club series exploring the musical connections between Türkiye and its cultural neighbours. Moderated by musicologist and pianist Prof. Dr Mine Doğantan-Dack, this session invites participants on a listening journey across the Caucasus, tracing the forests, fog-covered mountains, and high “yayla” plateaus of north-eastern Turkey and the Caucasus.
Session V — The Caucasus explores a region of magical landscapes and extraordinarily rich musical traditions, and home to more than fifty distinct ethnic groups and one of the most linguistically dense places on earth. From the shadow of Kars Castle, to the Black Sea coast and the mountain villages of the Caucasus, we will move through Turkish, Azerbaijani, Georgian and Armenian traditions, immersing ourselves in the Âşıklık heritage, the beautiful art of mugham, and the unique polyphonic singing of Georgia.
Along the way you will enjoy the music of Kemani Tatyos Efendi, “Baba” Hamparsum, Shovket Elekberova, Flora Kerimova, Hamlet Gonashvili, Nermine Memmedova, İzzet Altınmeşe, Barış Manço, Rashid Behbudov, Alim Qasimov, Zeyneb Khanlarova, Djivan Gasparyan, Ensemble Rustavi, Arif Sağ, Selda Bağcan, and more. To the accompaniment of the fierce energy of Lezginka and Black Sea folk dances, this session will bring to life the legends of Köroğlu and Şeyh Şamil, and the widely shared symbolic motifs of the region including the eagle, the deer, and the crane – echoes of kinship beneath a shared sky.
Session V — The CaucasusDate: Friday, 26th JuneTime: 6:00 pmVenue: Yunus Emre Enstitüsü, 10 Maple Street, W1T 5HA
Limited spaces.
Explore the curated listening list and playlist for this session here
No musical training required – open to all music lovers and curious listeners.
This session is part of a six-session Listening Club series exploring musical cultures across the Balkans, the Levant, the Aegean, Persia, the Turkic world, and the Ottoman musical sphere. For more info please click here!
For more information on the event, please email us at londra@yee.org.tr
IMPORTANT NOTES
This in-person event is open to participants aged 16 and above.
Please note that this event is first come first served and may be overbooked. To avoid disappointment, please arrive early and secure your seat. If you have registered but are unable to attend, please cancel your ticket to allow others to join. Thank you for your cooperation.
Please be advised that filming and/or photography will be taking place at the event for the purposes of archiving, marketing, and all other publications. By entering this event, you consent to the Yunus Emre Institute taking photographs and videos and using them.

Bradford Literature Festival 2026
2026-07-03 08:00 - 2026-07-12 17:00 | Bradford, United Kingdom
Celebrating Turkish Culture Through Art, Thought, and Tradition
Yunus Emre Enstitüsü – London is proud to participate in Bradford Literature Festival 2026, one of the UK’s most celebrated cultural events, with a vibrant programme that brings the richness of Turkish arts, literature, and heritage to the heart of West Yorkshire.
Spanning two weekends, our contribution includes a series of thought-provoking talks, hands-on workshops, and captivating performances that reflect the depth and diversity of Anatolian cultural traditions. From classical crafts such as Calligraphy, and bookbinding to intellectual discussions on Ottoman aesthetics and the Turkish Sufi Tradition, the programme offers something for everyone—whether you’re a curious beginner, an art enthusiast, or a seasoned scholar.
Highlights of our 2026 programme include:

Traditional Ottoman Bookbinding Talk
Traditional Ottoman Bookbinding Workshop
Shadow Puppet Magic: Karagöz & Hacivat Puppet Show
Islamic Calligraphy Masterclass, Session One
Islam Between East and West
Ottoman Calligraphy Master Talk & Demonstration
Islamic Calligraphy Masterclass, Session Two
Introductory Ottoman Calligraphy Workshop
Yunus Emre and the Turkish Sufi Tradition
Turkish Classical and Sufi Music Concert

In addition to public-facing events, we’re also delighted to collaborate with local organisations, artists, and educators, furthering our mission to promote mutual understanding through shared cultural experiences.
Through this broad spectrum of activities, Yunus Emre Enstitüsü – London invites festival visitors to experience the beauty, refinement, and living heritage of Turkish culture—celebrated not as a relic of the past, but as a dynamic tradition that continues to inspire.
We look forward to welcoming you at Bradford Literature Festival 2026—a meeting point of ideas, creativity, and community.
